Gender, Guilt, and Fate – Macbeth, Part 2: Crash Course Literature 410

This week on Crash Course Literature, John Green is continuing to talk about Shakespeare’s dark, bloody, Scottish play, Macbeth. This time around, we’re looking at the play’s characters operate, how the play deals with gender, and the Macbeth as an early anti-hero. He’s no Walter White, but you can definitely love to hate him. Or

Free Will, Witches, Murder, and Macbeth, Part 1: Crash Course Literature 409

The Sound! The Fury! Today, we’re talking about Shakespeare’s Scottish play, Macbeth. So, was Macbeth really predestined to do all the murdering and bad kinging and other terrible stuff? That’s the big question in Macbeth, and it’s one of the ideas we’re going to talk about today, among many. Also, Yoda joins us for the

Slavery, Ghosts, and Beloved: Crash Course Literature 214

In which John Green teaches you about Beloved by Toni Morrison. I’ll warn you up front, this book is something of a downer. That’s because it deals with subjects like slavery, the death of a child, a potential haunting, and a bunch of other sad stuff. John will talk about Beloved in relation to slavery,

Ophelia, Gertrude, and Regicide – Hamlet Part 2: Crash Course Literature 204

In which John Green teaches you MORE about Bill Shakespeare’s Hamlet. John talks about gender roles in Hamlet, and what kind of power and agency Ophelia and Gertrude had, if they had any at all (spoiler alert: we think they did). You’ll also learn about regicide, Ophelia’s flowers, and Hamlet’s potential motivations. Also, Oedipus comes

Ghosts, Murder, and More Murder – Hamlet Part 1: Crash Course Literature 203

In which John Green teaches you about Hamlet, William Shakespeare’s longest and most-performed play. People love Hamlet. The play that is, not necessarily the character. Hamlet is a Tragedy with a capital T (I guess I don’t have to point that out, since you can see clearly in the text that the T was capitalized).